|
|
|
|
|
Straw
Hats |
|
|
|
by
Sam Holden, Charles Cohen
Clay
Von Jones leaves his wife at the hairdresser's -- "I don't
know why she's getting her hair done. She's already beautiful"
-- and heads down Eutaw Street to Hippodrome Hatters. His
mission: Get a new straw hat.
Jones
walks into the downtown store wearing a trench coat, a rose-colored
stone earring, and a beaver-skin porkpie hat. He smiles with
childlike joy as he removes the hat to show off the inscription
inside the brim. "Self-conforming," it reads, meaning the
hat retains its shape. "I let it get wet, you can sit on it,
you can do anything you want to it," he boasts.
As
attached as Jones is to his porkpie, though, fashion, tradition,
and the weather dictate that it be retired for the season
in favor of a straw replacement.
There
was a time when, come spring, men all over town would be doing
the same thing. A man wouldn't be caught dead wearing a felt
hat -- or, for that matter, a beaver-skin -- on Straw Hat
Day.
Time
was, Straw Hat Day -- May 15 -- was a national observance,
usually celebrated at the ballpark, where men in the stands
would punch holes in their old hats and sail them out onto
the field. Anyone wearing a felt hat would get his cover snatched
and flung out too. And nowhere was this holiday more strictly
observed than in Baltimore, the straw-hat capital of the world.
Check
out any pre-World War II photograph taken between May 15 and
Sept. 15 -- the straw season. The men in such pictures are
invariably sporting their boaters, their sailors, their skimmers.
In the first half of the 20th century, three Baltimore companies
-- M.S. Levy, Brigham-Hopkins, and Townsend-Grace -- sent
straw hats (and straw-hat salespeople) nationwide. Old catalogues
hawk fancifully named toppers such as the Zephyr, the Lombardy,
the Kancka, and the Banku, and boast of the way they helped
wearers keep a cool head in the hot summer. Those with really
big bucks might procure an authentic handmade Panama, or a
Montecristi, made from straw so fine you'd think it was linen.
Standing
outside Hippodrome Hatters, or the Ecuador Hat Co. on Fayette
Street around the corner, there's not much sign that Straw
Hat Day is approaching. But Easter still brings customers
to the two west-side shops in search of church-suitable headgear,
and the store does a steady trade in baseball caps and Kangols.
Ecuador
Hat owner John "Michael" Macas leans on a car outside his
store, feeding cheese puffs to the pigeons, until he spies
a man walking toward him, wearing a straw hat that's split
open on top. The man, Larry Blount heads inside the shop,
scanning Macas' cases for a replacement Panama.
Blount
is 57; Straw Hat Day was already fading when he was born,
and he doesn't know anything about it. But he's been coming
to Ecuador Hat since he was a teenager. He's got four straws
at home, one of which was made by Macas' father.
|
|
|
|
|
|
|

Alfonso Vega & Vega |
|
Macas'
father, mother, and uncle came to the United States in the
1920s from the South American country that gives the store
its name. They'd been hired by M.S. Levy, which was having
trouble making Panamas without ripping the straw. (Ecuadorans,
the store owner explains, were the true originators of the
style, which got its name from tourists visiting the Panama
Canal who saw locals wearing the brimmed, banded hats.) Macas'
ancestors rectified Levy's manufacturing woes, then started
their own operation in 1934, making the Ecuador Hat Co.'s
merchandise by hand. The store now sells all kinds of hats,
but to this day Macas and his younger cousin can make straws
by hand.
"My
first Panama was made right there," Blount says, pointing
to the counter. As teens in the early '60s, he says, he and
his buddies would buck the prevailing, more casual fashion
trends by buying straw hats and then going around the corner
to buy knit shirts from 3-Gs, an old west-side clothing store.
"It's a tradition and I love it," he says of his headgear.
"It don't go away."
Blount
isn't quite right -- hats did go away, nearly. The old straw
boaters fell out of favor in the 1930s. "The day of the high
patent-leather shoe, the blue serge suit, and the stiff, hard
straw hat has gone forever," a 1937 trade-publication article
bemoans. The article goes on to cheer manufacturers to push
the newer, lighter porkpies, but the industry continued to
suffer fashion blows. Macas and Hippodrome Hatters owner Lou
Boulmetis both point to the postwar years, when returning
GIs, tired of wearing military helmets and dress hats, preferred
to go bareheaded. Then came the election of John F. Kennedy
in 1960; Kennedy, perhaps in keeping with the New Frontier
image, was the first president since Grover Cleveland to regularly
appear in public sans hat.
Local
hatters hung on due to the patronage of African-Americans,
among whom hats remained popular long after white Baltimoreans
had largely abandoned them, Macas says. "If it wasn't for
the black people, the hat industry would have been out of
business a long time ago," he says. But much of that market
dried up in the late '60s and '70s with the popularity of
the bushy Afro. ("There's no way [someone was] going to buy
a hat that big" to fit over a 'fro, Macas recalls. "He'd look
like a clown.")
Having
survived the '70s, thanks to a resilient base of old-timers,
Macas now finds himself in the era of the baseball cap, and
he goes with the flow. But maybe there's hope yet for the
fashion trends of yore. Just before closing time, a man comes
in and inquires with a certain urgency about a black-and-white
straw hat he's ordered. Macas says it's not in yet; the man
grouses -- he's been looking forward to wearing it to church,
with his Armani suit. "Everybody seems to notice my looks,
and they try to imitate," the customer says. "I think I am
more or less a pacesetter."
|
|
|
|
|
|
 |
|
|
The
genuine panama hat is the most exquisitely crafted hat in history.
It is considered worldwide as the "prince of straw hats,"
giving the wearer an exclusive sense of style and elegance.
Alfonso Eudoro focuses on superior quality and craftsmanship,
attention to detail and sober artistry.
After the design is completed, every hat is carefully hand woven
by skilled master weavers, using the finest toquilla straw available,
and implementing traditional manual techniques and rigorous
washing, breaking-in, pressing, coloring and trimming procedures.
The Alfonso Eudoro genuine panama hat collection is presented
in a variety of weaves and styles, and while they are all styled
for men of distinction, each one makes a different kind of impression.
So you dont need to look further to find the hat that
matches your personality. You may request our limited-edition
Spring 2004 catalog by clicking on the following link: request
catalog .
|
|
|
|
Contact Us | |
|
|
|
|
|